《奥菲欧与尤丽狄茜》/原名:《Orphée et Eurydice de Christoph W. Gluck》/又名:《奥菲欧与尤丽狄茜(格鲁克版)》,暂无The Ballet de l'Opera National de Paris mounted this production of the late Pina Bausch's dance-opera Orpheus und Eurydike, which Bausch had adapted from composer Christoph Willibald-Gluck and Ranieri de' Calzabigi's 1762 opera Orfeo ed Euridice. As the title suggests, it takes its basic narrative from the myth of Orpheus, and his courageous but ill-fated attempt to rescue his lover Eurydice (also known as Eurydike) from the jaws of the underworld. This particular production finds Yann Bridard dancing as Orpheus and Marie-Agnès Gillot dancing as Eurydike , with mezzo-soprano Maria-Riccarda Wesseling accompanying Bridard and soprano Julia Kleiter accompanying Wesseling. Pina Bausch did the choreography and stage direction, while Rolf Borzik designed the sets, costumes and lighting. The Balthasar-Neumann Ensemble and Choir, under the direction of Thomas Hengelbrock, lend musical accompaniment.《奥菲欧与尤丽狄茜》百度云网盘资源以及《奥菲欧与尤丽狄茜》高清mp4迅雷下载,《奥菲欧与尤丽狄茜》BT下载,希望您能喜欢!
我看的是Teatro alla Scala Milano版本的歌剧,格鲁克的音乐确实很大气,也能感受到他对莫扎特的影响。这个版本在Hofesh Shechter的执导下加入了不少舞蹈元素。http://www.operaonvideo.com/orphee-et-euridice-milan-2018-florez-karg-said/
Everything.
看《燃烧女子的肖像》,让我记住了两个西方艺术经典,一个是维瓦尔第的四季交响曲,另一个就是俄狄浦斯寻妻的故事。b站上有录制版但没有字幕,似懂非懂。长久的抒情,扮演俄狄浦斯的男芭蕾演员赤裸身体,皮肤颜色带着油画里苍白、悲凄的美感。我最喜欢的一幕是Eurydice在冥宫翩跹起舞,粉裙紧裹身体,四肢轻盈有力,仿佛死后像蝴蝶般轻盈,只是与爱人阴阳两隔,便心有悲伤地掩住面庞......想要更加了解故事梗概还是要去翻希腊神话吧。
我看的是Teatro alla Scala Milano版本的歌剧,格鲁克的音乐确实很大气,也能感受到他对莫扎特的影响。这个版本在Hofesh Shechter的执导下加入了不少舞蹈元素。http://www.operaonvideo.com/orphee-et-euridice-milan-2018-florez-karg-said/
失语了
arte live.
改编原歌剧结局,奥菲欧与尤丽狄茜以死亡相聚也以死亡告终,残酷戏剧式结局更为有力量和具有诗意吧,舞蹈肢体所能达到更为“真实”的美。这就像一个人进入睡眠状态,另一个人从相反的方向突然唤醒他。
没想到pina早期还编过带有情节的音乐当代舞。只能如此称呼了…还有,格鲁克跟俺一天生日………
皮娜•鲍什 + 格鲁克 !
皮娜•鲍什于1975年将格吕克极富爆发力的歌剧改编成舞剧时,也严格依照并延伸了后者意图,强调舞蹈所能达到的将形体带向穿越人心的基本力量的程度。剧中奥菲欧与尤丽狄茜均由歌者和舞者两角表现,以声音详述诗意神话以肢体处理作品戏剧性成分。该剧放弃了结尾恋人再度重逢的一幕,以女方再度死亡告终